In the 80s “Alternative” music, grounded in the simplicity and
DIY ethic of punk, but lyrically and sonically more expansive, struggled to be
heard amongst the explosive clamor of schlock rockers with more passion for
their hair then their music. Here’s a video of hair metal avatar Dee Snyder
explaining why hair metal
sucks.
Ladies and gentlemen of the jury, I rest my case
Alt. heavy
hitters like R.E.M.
and The Smiths, with
the underground support of bands like The Replacements, Husker Du and The Pixies, bounced
around the college airwaves sing-mumbling songs about alienation, politics and
girls not talking to the funny looking kid at school, until 1991, when
Nirvana’s breakout album Nevermind bludgeoned
its way onto commercial radio with a fist full of teen angst and war cry of
nihilism, rendering big hair and codpieces obsolete practically overnight.
I love grunge
and alternative music, especially from those early days. I’m a sucker for an
underdog story, and the triumph of the counter culture in the late 80s to mid
90s stands as one of my favorite moments in rock n’ roll history, even if I was
to young and sheltered to know it was going on at the time.
I could write all day about
why I love it, but thousands of people already have. I could also write about
how, as the years have dragged on Alt musicians have, on the whole, become a
sad, mocking shadow of their former selves, just as over-produced and predictable
as the leather clad “Rock Gods” they toppled. Again, you’ve probably heard it
before.
Instead I want to write
about what alternative music has been missing, something I didn’t even know was
gone until I began to hear it again.
If you read the title of
this entry, you can probably figure it out.
I’m talking about soul.
You know, this stuff.
Here’s some more.
I’m not saying that alt.
acts didn’t respect the part blues and soul music played in the genesis of rock
n’ roll, (Nirvana
covered Lead Belly for God’s sake.) but perhaps in a bid to set themselves
apart from their rivals in the 80s, the blues got lost in the background.
For the past 20 years or so
the only artists allowed to be influenced by the blues and soul music were pop
acts.
Fortunately that is
changing.
It probably it started with
Jack White paying homage to Motor
City’s heritage by sneaking blues covers into White
Stripes albums all the way back in the late 90s, but more noticeably over the
past few years soul has crept back into rock n’ roll.
The Black Keys introduction
to the mainstream in the past couple of years may also have something to do with
it, but I honestly didn’t make the connection myself until Brittney Howard and
the Alabama Shakes
practically slapped me in the face with it on their debut, Boys and Girls last year.
If you haven’t heard these
guys yet, you’ve probably been living under a rock. Their first single, Hold On, is still
getting played freaking everywhere.
They look more
like a band you’d see a Jimmy’s Bar then Madison Square Guarden, but with three
Grammy nods and a show stealing performance at the ceremony, these guys will
probably be selling out stadiums soon enough.
Then there’s The Heavy, you
might recognize them from the Boarderlands 2 intro or every commercial ever.
Sure they’re British, but
so was Dusty Springfield, and if you don’t think she has soul… um you don’t have
one.
A friend of mine introduced
me to The Heavy a few months back and they are one of my new favorite bands. They
are one of those groups that can balance a healthy respect for the old school
while moving forward as artists. The Alabama Shakes fit this bill as well.
It’s artists like this that
make positive impact on the direction music is headed, but in my not so humble
opinion Gary Clark Jr.
should be the one people are still talking about 30 years from now.
Jr. has been kicking around
the Austin music scene, creating a pretty big buzz for himself for the past few
years, releasing his debut album, Blak and Blu, in 2012.
In my opinion he wrote the strongest album of the year, but as I've already stated The Grammy’s
are stupid.
He is everything John
Mayer wishes he could be, mixing blues, R&B, rock and even rap in ways I don’t think
anyone else had even considered. If you haven’t heard this guy yet, I’d
seriously encourage you to listen to this.
I love the music of my
past, but as I get older I refuse to be one of those guys who writes off
everything new that comes out just because it’s different. In the midst of all
the crap getting made these days bands like the Heavy and Alabama Shakes,
singers like Gary Clark Jr., they proves we still have a good chance for a
bright future.