I am 25 years old, which means that, although I can remember a
time when cassette tapes were the preferred vessel for sonic sacrament. (I
don’t know that I’ve ever written such a pretentious alliteration. I must use
it!) Of course CDs came along and replaced them almost completely by the late
90s and by the time I got to high school iPods were already a thing.
Technology is
great. As I’ve stated before, I can collect more songs
in one afternoon online then most folks could in an entire year back in the
90s, but there are drawbacks. With the sheer volume of music now available at the
click of a button having a hit single on iTunes has become more important then
producing an album of quality work. Even when an artist or group produce a
solid body of work, the album as a whole typically gets ignored by most people
who only bought the single on iTunes.
Musicians and
music journalists have lamented the disappearance of the album over the past
couple even starting grass roots efforts to appreciate albums bizarrely
boosting vinyl sales for the first time in almost two decades.
So who cares?
Why bother listening to a whole album when the DJ on the radio has already
picked the 1 or two songs worth listening to.
Well if you’re
a casual listener you probably shouldn’t care. Of course if you’re a casual
music fan, why are you reading my blog? My God, this crap must be boring as
hell for you! Go read a blog about cooking or balloon animal performance art or
something.
For you “Real”
(wink, wink) music fans, you should care because every once in a while you’ll
find what I like to call a “perfect album.” 10 or 12 songs that seem to fit
together perfectly, that leave you going (Insert Keanu Reeves voice) “Whoooohhhh.”
Rolling Stone
has a list of the greatest albums of all time. It’s an interesting read, as
much for what didn’t make the cut as for what did.
I like lists
articles like that. They mesh well with my short attention span and sometimes I
learn about music I might like.
So here is a short list of
a few of my “Perfect” Albums. I’ll steer away from the obvious classics. Nobody
needs me to tell them that albums like Nirvana’s Nevermind, Dylan’s Times They are A Changin’,
the Stone’s Exile on Main Street or
The Velvet Underground’s Loaded are
outstanding albums. If you haven’t gotten around to listening to them all the
way through I’d recommend them, but I couldn’t possibly add anything meaningful
to the already prodigious dialogue compiled on each of them.
Instead, I’ll
mention a few albums that knocked me out the first time I listened to them. Check
them out, then share a few of your own “Perfect Albums” in the comment section.
The Black
Keys Attack and Release
With the released
of their two most recent albums albums, Brothers and El
Camino, The Black Keys have skyrocketed in popularity, becoming one of
the biggest bands in the world on the shoulders of songs like Howlin’ for You and Gold on the Ceiling. Of course me and every other music snob out
there is going to tell you we knew them from way back when. That’s why we never
get invited to parties or go on dates.
I couldn’t be happier about
the Keys success. Their newest albums are pretty tight. They keep the tunes
jaunty enough for a pop sensitive crowd, but loose enough to maintain their
garage blues roots.
That being said, Attack and Release, the duo’s first
collaboration with producer Danger Mouse blows their newest work out of the
water. From the first minimalist notes of All You Ever Wanted to blues rockers like I Got Mine and Same Old Thing to the Psycadilic groves
of Strange Times Guitarist/Singer Dan Arbach and Drummer Patrick Carney threw
everything into this album. You can here it in Arbach’s desperate cries on Lies and defeated
moans on Things
Ain’t Like They Used To Be.
Circle Jerks VI
Just from their name you
can tell these punks wanted to get a rise from people. Their name may have been
overly vulgar but these guys had a talent for hacking right to the moral woes
at the heart of American society circa 1987, then twisting that rusty blade
until you promise never to do hard drugs again.
Coming out of the 80s hardcore
scene, it’s not surprising these guys worshiped at the church of the straight
edge, but even the biggest haired meatheads on the block can’t deny, tunes like
I’m
Alive
and Casualty
Vampire
just freaking rock.
Jeff Buckley Grace
Jeff Buckley
covered Lenard Cohen’s Halleluiah on his debut studio album Grace. It’s a classic that everybody in
the history of the world has heard. Sadly, Buckley drowned shortly before he
could finish recording his second album, so it would be easy to write him of as
a tragic one hit wonder. Easy that is, except for the fact that Buckley fit
more awesomeness into that one album then most musicians get out of a long and
successful career. (I’m looking at you Nickleback.) This jazz… rock… folk… singer
released one of the weirdest most unexpectedly beautiful pop albums of all
time. From the vocal virtuosity of Mojo Pin to the grimy baseline
of Eternal Life to the
spacey bombastic finisher Dream
Brother, Jeff displayed a class and diversity completely unique for the
90s. I honestly don’t think I was mature enough to appreciate this album until
recently, but It’s been my go to writing album for the past couple of months.
I could easily go on like this all night, throwing out
albums like Rum, Sodemy and the Lash by
the Pogues or BRMC’s Howl, but it takes
for ever to link all these youtube videos and I have to get up early, so I’m
going to call it a night. Don’t just listen to the tracks I’ve linked above,
check out the complete albums, and share a few of your personal favorites
below.